Late 19th century and to include a watercolor on ivory of Louis XVII as a child after the portrait by Gaetano Pecheux, housed in a gilt metal frame with turquoise liner (6.5 x 4.75 in.) (some paint loss in lower corners); a portrait of Marie Antoinette after Élisabeth Louise Vigée-Le Brun, with a signature lower right, housed in a gilt metal frame (4 5/8 x 3 7/8 in.); a watercolor on ivory portrait of a lady in a plumed hat sitting at the table, signed and housed in an ornate gilt metal frame (8.5 x 5.75 in.);