To include: Robert Broderson: 32 Darwings (Durham: Duke University Press, 1964), with jacket, Somerhill Gallery ownership label (some minor loss to upper edge of jacket, else very good condition); Sandler, Irving. Alex Katz (New York: Harry N. Adams, 1979), with dust jacket, inscribed (wear and light stains to jacket); Weber, Nicholas Fox. Warren Brandt (New York: Hudson Hills Press, 1988), inscribed to Joe Rowand, with dust jacket (very good condition); Dorothy Gillespie (Radford: Radford University Press, 1998), with dust jacket, inscribed by artist (some marks to jacket, else very good condition); Sawin, Martica. Stephen Pace (New York and Manchester: Hudson Hills Press, 2004), linen boards (lacking jacket; some external bumps); Herb Jackson: Veronica's Veils (Charlotte: McColl Center for Visual Art, 2007), with dust jacket (some curled edges to jacket, else very good condition); To See: Photographs by Elizabeth Matheson (Rocky Mount: North Carolina Wesleyan College Press, 1991) (lacking jacket, fine condition); Blithe Air (Winston-Salem: The Jargon Society, 1995), with dust jacket bearing Somerhill Gallery "Gallery Copy" label (creases to jacket, else fine condition); Quartet: Four North Carolina Photographers (New London and Asheville: Safe Harbor Books, 2005), 4to (11-3/4 in.), Matheson's work is represented along with that of Rob Amberg, Caroline Vaughn, and John Rosenthal (with "Gallery Copy" label on dust jacket (fine condition).

Tallest 12-1/4 in.

From the Estate of the late Joseph D. Rowand, Chapel Hill, North Carolina Joe Rowand was instrumental in developing a contemporary art scene in North Carolina. After studying in New York City at Parsons, he brought the big city art feel to Chapel Hill, North Carolina when he opened Somerhill Gallery in 1972. His gallery served as an epicenter for collectors and artists to gather and grow for over thirty years.