Lot Details & Additional Photographs
1991, materials include steel, printed images and text on paper, and mixed-media binding, signed and numbered 42/50.
This is a collective presentation featuring works by Orleans Parish Prison Inmates and produced in workshops conducted by New Orleans artists. It is a limited edition commissioned by the Percent for Art Program, administered by the Arts Council of New Orleans and owned by the City of New Orleans.
The Note to the Reader is as follows:
This book explores the feelings and innermost thoughts of men, women, and boys who are locked up -- some fighting for their lives, others convicted, never to go home again.
Some of the selections are poems. Some are stories or paintings about past experiences or about something that has changed us, while we were here.
This book is serious and not play. A lot of hurt and pain is within these pages.
Please understand. And think about what you read.
- Wendell J. Profit
12 x 19 1/4 x 3 in.From the Estate of the late Diego Cortez, New York and North Carolina
Diego Cortez (1946-2021), an art curator and filmmaker, was a cultural cornerstone in New York City who helped shape the art, music, and film scene from the 1970s forward. Among his incalculable list of accomplishments, Cortez is credited with launching the career of Jean-Michel Basquiat when he included him in his major 1981 exhibition New York/New Wave
Cortez (née James Curtis), was raised in Geneva, Illinois, and went on to attend Illinois State University and later the School of the Art Institute of Chicago for a Master's degree. He changed his name to Diego Cortez in 1973 when moving to New York in honor of his hometown of Geneva, a Hispanic neighborhood. Early on, Cortez developed and fostered numerous connections with major figures in New York and he established himself as a key player. He worked as a studio assistant for artists Dennis Oppenheim and Vito Acconci and later directed music videos for rock bands Blondie and Talking Heads. He also wrote Private Elvis
, a photographic book about Elvis Presley's time in the army in West Germany.
Cortez cofounded the Mudd Club in 1978, a hybrid nightclub/art space in Tribeca that was frequented by celebrities, artists, and musicians. It was on the dance floor of the Mudd Club that he first met Basquiat. In 1981, Cortez curated New York/New Wave
, a major avant-garde exhibition at MoMA PS1 in Queens. It featured a new generation of artists as well as art superstars, such as Basquiat, Andy Warhol, Nan Goldin, Keith Haring, Fab Five Freddy, Robert Maplethorpe, and others. New York/New Wave
was a turning point in the art world, as it ushered in anti-establishment art forms such as graffiti art and street art.
The transformative ideas Cortez put in motion throughout his life are threaded throughout New York City and beyond. In this collection you will see links between the Cortez as the collector, the artists and makers of these works, as well as the subjects. This selection of objects from Cortez's collection touches upon seminal connections he had throughout his monumental life and career.
Good overall condition; intentional age to steel and some to sheets, including one detached steel piece.