All Grosset & Dunlap, to include:

Rob Eden. The Girl with Red Hair (1930) Green boards, illustrated jacket with cover art by Skrenda. 244pp. plus advertisements.
Ernest Lynn. The Silver Siren (1931) Red boards, top edge stained green, in illustrated jacket with cover art by Mach Tey. 276pp. plus advertisements.
Grace Perkins. Boy Crazy (1931) Later printing. Yellow boards, top edge stained maroon, in illustrated jacket with cover art by WJH. 235pp. plus advertisements.
Alma Sioux Scarberry. Make-Up (1931) Blue boards, top edge stained orange, in illustrated jacket with cover art by Mach Tey. 254pp.
Joseph Weil. Strictly Dishonorable (1931) Photoplay edition. Black boards, top edge stained red, in illustrated jacket with cover art by Skrenda. 251pp.
Ethelda Bedford. Broadway Bride (1932) Red boards, top edge stained blue, in illustrated jacket with cover art by Mach Tey. 271pp. plus advertisements.
Anne Gardner. The Husband Campaign (1932) Blue boards, top edge stained orange, in illustrated jacket with cover art by Skrenda. 244p. plus advertisements.
Clare Sharpe Hough. The Charming Cheat (1932) Orange boards, top edge stained blue, in illustrated jacket with art by Skrenda. 245pp. plus advertisements.
H.L. Gates. Virtue Takes a Holiday (1933). Orange boards, top edge stained blue, in illustrated jacket with cover art by Skrenda. 246pp.
Kaye Holden. Life is Like That (1933) Light green boards, top edge stained blue, in illustrated jacket with cover art by Skrenda. 271pp. plus advertisements.
Helen St. Bernard. High Windows (1933) Purple boards, top edge stained orange, in illustrated jacket. 238pp. plus advertisements.
Harold Morrow. The Love Gamble (1932) Red boards, top edge stained, in illustrated jacket with cover art by Skrenda. 250pp.

7 5/8 x 5 1/4 in. each

From the Collection of Professor Roberto Severino, Washington, D.C.

Condition varies with all good to very good. Some with spines cocked and with light wear to head and tail of spine, many with slight separation from textblock; expected light toning and offsetting, with bookseller stickers on paste-down or jacket flap, (2) with light foxing mostly at edges; all in dust jackets with mild to moderate wear including stamps, edgewear, sunned spines, toning, and small tears or tiny losses, (1) with light grime to interior.