Kiyoshi Saito (Japanese, 1907-1997), Four Woodblock Prints

Circa 1940s, includes four woodblock prints of children in Aizu, Japan, two prints of little girls carrying dolls (print size 15 1/4 x 10 7/8 in.), and two prints of a standing boy (Print 15 3/8 x 10 3/4 in.), all prints presented loose over foam mats with clear photo corners.

Collection of Michael and Ingrid Kelly, Worldwide Gallery Antiques, Fredericksburg, Virginia

Kiyoshi Saito was a significant figure in the Sosaku Hanga movement. This “Creative Prints” art movement emphasized the artist’s individual expression and direct involvement in all stages of printmaking: designing, carving, and printing rather than relying on the traditional collaborative method used in ukiyo-e prints. Saito’s artistic aspirations led him to Tokyo in 1932 to study Western-style painting. However, he discovered his passion for woodblock printing and began his experimentation with the technique. His pivotal moment arrived in 1938 with his "Winter in Aizu" series, which portrayed the snowy landscapes of his birthplace and became a central theme in his body of work.

Saito achieved international recognition after receiving first prize at the first São Paulo Biennale in 1951 for his woodblock print Steady Gaze. This award was a landmark achievement for Japanese printmaking internationally. Over his career, Saito's artistic style developed, integrating elements from Western artists like Pablo Picasso, Henri Matisse, and Paul Gauguin. His later prints exhibited simplified forms and delicate tonal variations, indicating a more profound spiritual and philosophical inquiry. Saito's impact continues through his extensive exhibition record and presence in prominent collections globally.

Overall good condition; wear and creasing to upper left corner of one print; not examined outside of wrapped mats.