Yoshitoshi Mori (Japanese, 1898-1992), A Pair of Woodblock Prints

Includes two woodblock prints, the first of a woman with a pipe, signed in pencil 29/90, Y.Mori '84 together with red seal in lower bottom, framed in Japan by Kato under glass with gold edge blue fabric mat in a giltwood frame with rounded edges (Frame dimensions 24 1/2 x 18 1/2 x 1 in., Sight size 18 x 12 1/2 in.)(good condition; not examined outside of the frame), and the second of a woman playing the shamisen, signed in pencil Y. Mori '84, 27/90, with red artist seal to lower left corner, framed in Japan by Kato under glass with gold edge navy blue fabric mat in a giltwood frame with rounded edges (Frame dimensions 24 1/2 x 18 1/2 x 1 in., Sight size 18 x 12 1/2 in.)(good condition; not examined outside of the frame).

From the Collection of David and Vidabeth Bensen, collected during the 1960s and 1980s while living in Japan

Mori Yoshitoshi (1898–1992) was a Japanese printmaker associated with the shin-hanga movement, best known for his refined portrayals of Noh and Kabuki theater subjects. Born in Tokyo, he studied traditional painting before turning to woodblock print design, where he developed a distinctive style that blended classical theatrical themes with modern compositional clarity.

Active primarily in the mid-20th century, Yoshitoshi collaborated with skilled block carvers and printers to produce meticulously crafted prints marked by subtle color harmonies and dramatic stage presence. His works often emphasize the stylized gestures, elaborate costumes, and psychological intensity of performers, reflecting both reverence for Japan’s theatrical heritage and a modern sensibility.