harvey-k-littleton-wi-nc-1922-2013-i-aurora-i-state-ii
Lot 1314

Harvey K. Littleton (WI/NC, 1922-2013), Aurora State II

Lot Details & Additional Photographs
Color vitreograph (intaglio print from glass plate), 2002, pencil signed, titled, and numbered 15/30 to lower margin, full margins, mounted and framed below glass.

Sheet size 19 x 25 3/4 in.; Frame dimensions 24 x 29 1/2 in.

The Collection of Karen & Robert Milnes, Asheville, North Carolina

Primarily known as one of the founders of the modern art glass movement, Harvey Littleton's vitreographs on paper show a different side of the artist, and a medium he developed on his own. Littleton's work was among the first examples of modern glass acquired by the Metropolitan Museum of Art, New York. After a long tenure teaching at the University of Wisconsin, where he influenced artists such as Dale Chihuly, Littleton later settled in Spruce Pine, North Carolina.

In the early 1980s, Littleton developed the vitreograph process, using glass plates to create prints with depth and luminosity. Some of these ideas are explored in the Origami Suite, which was inspired by light dispersed through a prism. At his Littleton Studios in Spruce Pine, he invited artists including Dale Chihuly, Herb Jackson, Richard Jolley and others to experiment with the medium, extending his collaborative and innovative approach beyond glass into printmaking.

Very good condition, not examined outside the frame.