Late 18th century, the first with a relief carved crest rail and four pierced and carved slats, modeled and shaped stiles, over-upholstered seat with brass-tack seats trim, molded legs, h-stretcher base, down swept rear legs; the second with
relief carved shaped crest rail with three carved and pierced slats, shaped styles with scratch bead, over upholstered seat, serpentine front seat rail, molded front legs, flushed stretcher base.


First chair: 37 1/2, 21 1/2 x 21 in. seat height 17 in.
second chair: 38 x 21 x 19 in., seat height 17 1/2 in.

From the Collection of the late Dr. Margery Williams Adams and Dr. George Carlisle Adams, Charlotte, North Carolina
Margery and Carlisle Adams were lifelong patrons of the arts in their hometown of Charlotte, North Carolina. They met in Paris where they were both Fulbright Scholars, she studying at the Sorbonne, and he teaching Pediatrics to French physicians.

Margery (1921-2022) grew up in Worcester, MA. She graduated from Smith College, held a Masters and a Ph.D. in Art History from Radcliffe College (now Harvard University), and taught Art History at Radcliffe and Queens College in Charlotte. She inherited from her uncle - Frank Smith, a Worcester attorney - an extraordinary art collection of Italian antiques and works by early 20th century contemporary artists, the core of which has been donated to the Worcester Art Museum and Smith College Museum of Art. Her personal interest in collecting focused on New England furniture and 18th century coin silver spoons. She was instrumental in securing the Delhom Ceramics Collection for the Mint Museum of Art in Charlotte.

Carlisle Adams (1923-1996) graduated from Harvard University and Harvard Medical School and began collecting early American furniture and paintings during his freshman year of college to furnish a spartan dorm room. His eclectic tastes encompassed French fans and paintings, Italian furniture, and Persian rugs, his vast collection now residing at San Diego State University. He was a lifelong opera enthusiast, and he served on the boards of both the Charlotte Opera and the Charlotte Symphony.

First chair: later needlepoint seat, underseat webbing broken, break and repair at upper right style joint, wear at legs, joint looseness.
Second: later paint staining in some areas; break and repair at middle slat joint; later upholstery; joint looseness.