Crayon on wove paper, unsigned, with estate stamp of Howard Thomas, inscribed "Drawing by Carl Holty - Collection of Howard Thomas - (estate stamp) - Anne Wall Thomas (signature) 3/06" to verso of each sheet, one inscribed "#106" and the second "#105" to top right verso of sheet, unframed.

Sheet 17 x 14 in. (each)

Carl Holty was a German-American abstract painter known for his contributions to modernist art and his role in the American Abstract Artists group. Born in Freiburg, Germany, and raised in Milwaukee, Wisconsin, Holty studied art in both the United States and Europe, where he was influenced by Cubism, Abstract Expressionism, and Bauhaus principles.
Holty’s early work was representational, but he later shifted to pure abstraction, focusing on geometric forms, vibrant color fields, and lyrical compositions. His work is noted for its dynamic use of color, light, and spatial depth. He was a prominent figure in the New York art scene during the mid-20th century and became a respected teacher at institutions like Brooklyn College. Holty’s work is held in several major museums, including the Metropolitan Museum of Art and the Whitney Museum.
In 1948, Lamar Dodd offered Holty the opportunity to serve as an artist in residence at the University of Georgia, based on a recommendation from UGA faculty member Howard Thomas. Holty spent two years in Georgia where he found ways “to create a surface tension of suspended pictorial space by laying down a mosaic of patches of color that simultaneously described, developed and denied the picture plane.” (from Carl Holty, Romantic Modernist, an exhibition booklet published by and in conjunction with the show mounted at the Georgia Museum of Art, University of Georgia)

Toning to each sheet; pinholes to each corner.