Nothing is more universal than art. It transcends time and place and yet it can express the nuanced details of a moment in ways that language cannot. The Leland Little Fine Art Department encompasses both celebrated regional artists, such as Maud Gatewood and Claude Howell, as well as those whose art speaks to the world at large, from the quintessentially American scenes of Andrew Wyeth to the famous portraiture of Thomas Sully to the contemporary abstractions of Sohrab Sepehri of Iran.
Fine Art & Silver Director
Claire Fraser has been with Leland Little Auctions since May 2004. A life-long interest in material culture led her to a BA from Randolph-Macon Woman's College in Art History, with a business concentration. Her passion is working with consignors and collectors to find the best market for their fine silver and original works of art. Claire has also spent time working with the North Carolina Museum of History and the North Carolina Department of Cultural Resources. Beyond the auction world, Claire is a dedicated volunteer with Big Brothers Big Sisters of the Triangle.
When asked if there was any difference between his personal and professional acquisition decisions, longtime fine arts consultant and antique dealer Jim Craig said that his choices for his private collection could be chalked up to “personal addiction.” The comment belies the passion for the arts and Americana that drove Craig’s distinguished career for over half a century.
The process of turning bars of bronze into detailed sculpture is mind-bending. How do artisans realize an artist's intricate vision in a substance that only exists as an intractable solid or a molten liquid?
"Here's an idea that makes me super comfortable: how about instead of getting a steady job you try to scrape out a living as an artist?" said no parent in history.
Anthony & Davida Artis base their art collection on the three things that are most important to them: faith, family, and African American faces.
The creative magic of Joe Rowand was in full flower from the moment he opened his Somerhill Gallery at Straw Valley on US 15/501 on the edge of Chapel Hill in 1972.
Sri Lankan artist Senaka Senanayake had 10 international solo exhibitions before he was a teenager. And yet somehow, as young man he still didn't plan to make art his life's work.
Select stanzas from the iconic poem by author Margaret Walker, with accompanying lithographs by artist Elizabeth Catlett for the 1992 special artist's edition of the poem.
Emanuele Caroni's Telegram of Love was one of three sculptures by the Italian artist shown at the Philadelphia World's Fair, The Centennial International Exhibition of 1876.
A great eye is rarely confined to a single category. For Sterling Boyd, the synthesis of his extensive knowledge and impeccable style was a personal collection of art and antiques that brought together beauty and history.
We love a good piece of art on the wall as much as anyone. But while we can appreciate art in an aesthetic vacuum, the stories behind the works are what really bring them to life. So to give ample dimension to the art in our Modern Art & Design auction, we made you a trivia treasure hunt around some of the standout works that were offered.
So much art of all kinds has been inspired by the beauty of the female form. With the abundance of fine jewelry and fine art in The Signature Fall Auction at our disposal, we give the artists' muses the decoration they deserve.
"Diego was a catalyst in the literal sense of the word: something that precipitates or facilitates a change" (Raymond Foye, The Brooklyn Rail)
Relax in a comfy chair, sip your chamomile tea, and dive into our step-by-step guide on how to create hygge in your home this holiday season.
The first thing I saw after I came to was this huge Lichtenstein pop-art poster. If it had been a Raphael Madonna I might have thought I'd died and gone to heaven. But Lichtenstein? I died and went to the Museum of Modern Art? -Joel Siegel, upon awakening in the recovery room at New York Hospital, Lessons for Dylan
"Beverly talks about how she likens paint to icing and ice cream, and you can almost see this wet and malleable surface on the painting." - Claire Fraser, Director of Fine Art & Silver