ewen-henderson-british-1934-2000-two-tea-bowls-i-chawan-i
Lot 4294

Ewen Henderson (British, 1934-2000), Two Tea Bowls (Chawan)

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Lot Details & Additional Photographs
Wheel-turned and glazed stoneware, unsigned, both featuring green-umber glaze tones, and slightly flared rim over a bold round foot.

3 1/2 x 5 1/2 x 5 1/2 in.; 2 3/4 x 6 1/2 x 6 1/2 in.

Sold to benefit the Yale University Art Gallery collection

Born in Staffordshire in 1934, Ewen Henderson studied at Camberwell School of Art, under Hans Coper and Lucie Rie. He graduated in 1968 and continued his studies at Edinburgh College of Art before returning to London.

Henderson very soon left the wheel behind and moved to the freedom of hand-building. Throughout his career he explored clay as a medium in its own right, and said of his work that:
"It explores the significance of what is broken, torn or cut, the ability of single or multiple forms to speak of either compression or expansion, flatness or fullness. It is a kind of drawing in three dimensions. I start with fragments - familiar, found, improvised - and then build up to complex structures that invite the observer to complete the circuit, so to speak, by considering such matters as memory, invention and metaphor."

In parallel with ceramics his passion for painting continued throughout his career, with watercolors, gouaches and collages becoming increasingly inseparable from his ceramics.

Ancient cultures, geological forms and landscapes were persistent influences during his career - Avebury, Eden Valley in Cumbria, the Rollright Stones in north Oxfordshire, Orkney, and Manorbier in Pembrokeshire where he had a home for the last year of his life.

Henderson's work is viewable in many international public collections, including The Metropolitan Museum of Art in New York, the Stedelijk Museum in Amsterdam, the Australian National Gallery in Canberra, the Kyoto Museum of Modern Art and the Victoria & Albert Museum in London.

Biographical information courtesy of Erskine Hall & Coe, Ceramics & Modern Art Gallery, London.

Shorter with "kintsugi" gilt repair along the rim edge and some glaze crazing to interior; the other with small chip to upper rim and chipping to foot rim.